Michael Brady quotes me as I display my usual degree of stupidity:

> Saul, suppose you and I look at a painting. You say, "Now, that's a   work 
of   art."   And I say, "No, that's a work of foopgoom."
>
> You say to me, "What the hell is 'foopgoom'?"
>
> I say to you, "What the hell is 'art'?"
>
> How would either of us go about showing the other was "wrong"?

It was stupid of me because, among other things, I should have said, "And a 
second guy says, 'No, that's a work of foopgoom.'" I figured that by now you'd 
know I myself would never in fact write that line except in parody. My point 
was to show two listers mired in a hopeless squabble -- "hopeless" because 
their suppressed ontic assumptions and their language are fatally muddled.    

The muddled assumption I was parodying is the belief that the word 'art' 
"refers to" some non-notional entity. Alas, Michael left off the last sentence 
from the posting he was quoting:

 "Even more interesting, how would you go about proving to me (assuming this 
would be your position) that there is no such thing as "foopgoom", it's just 
muddled notion in my mind?"

Michael himself is totally in the grip of that muddlement: 

"You know, this stuff wasn't invented yesterday. "Art," has been around for a 
long time, much longer than any of us has been looking at and discussing 
"it". By now, we have a pretty good idea of what we're talking about."

No, Michael, you don't have a "pretty good idea" -- not for a philosophical 
discussion. 

Despite the hall-monitor image it entails, I'll continue trying to badger 
listers into maintaining a firm grasp on the distinction between entities that 
are solely notional and those that are non-notional, mind-independent. Listers 
may say, "Well of course it's silliness to believe there are 
external-to-the-mind "things" called good luck, holiness, curses, sins, 
miracles, goodness, or 
even evil. Whether we think we're talking about objects or "qualities", they're 
only in our minds!"    

But when it comes to that beguiling word, 'art', most listers can't even 
entertain the idea that its alleged quasi-Platonic referent is just as 
chimerical 
as tree-spirits and the seven muses. 

The badgering is difficult because, to achieve a degree of serviceable 
understanding while staying on point, I regularly have to ignore fundamental 
befuddlements. For example, Michael writes the seemingly innocent line: 

"The squabbling doesn't arise over the term 'art' itself, but over how it's 
applied and where its coverage ends." 

But consider the phrase 'its coverage'. This assumes that words/terms do 
something called 'cover' -- or they don't; that they 'apply' -- or don't. That 
notion is folly. Words are inert; they DO nothing. They are the OCCASION for 
action -- within a mind. 

For that matter even the utterance "word" entails immense confusion. William 
thinks he has used a reduction ad absurdum when he writes:

"If we don't know when an object is art, then we certainly don't know if an 
utterance is a word."

But exactly one of my unaccustomed and hard-to-swallow points is that it's a 
fundamental mistake to believe any utterance or scription either IS or IS NOT 
a word. You may say you saw words printed on paper today. No. You saw ink on 
paper; you've never seen a "word" in your life. Or heard one. "Foopgoom!" Did 
you just hear a word? How would you tell? Run to your little dictionary? The 
latest ones have lots of "new words". But they're only sounds they've at last 
decided to call "words". What was their "is-ness" before? 

But, again, to reach a degree of serviceable communication I have to use 
'word' in these postings. Just as I have to use 'is'. 

Michael writes:

"If Saul says. "Now, that's a work of art," I doubt you "completely 
misunderstand" him." 

But I've repeatedly asserted that "understanding" is always a matter of 
degree -- and, though Michael put 'completely misunderstand' in quotes, it's 
nothing I ever wrote (except, very possibly, in another moment of the degree of 
stupidity I'm quite capable of). 

When I just wrote, "Words are inert; they DO nothing. They are the OCCASION 
for action -- within a mind," I was trying to convey that when we contemplate a 
"word" the lump of links in our head summons up   countless accumulated 
associations in our mind, so what does come to mind is never exactly like the 
notion of the writer/speaker. Still, it's very often serviceably close. 

But when I write, "Words don't "HAVE MEANINGS"," it's a fairly sure bet that 
most of the stirring notions in the minds of readers are NOT even serviceably 
close to my notion -- just as they wouldn't be if I wrote: "Words do not 
'refer', 'signify', 'name',   or 'mean'. Words are inert. They don't "act", or 
"do",   or "cause". Kripke is wrong to think "names" 'pick out'." 

For all this hall-monitoring, I'm sure there are listers who are saying to 
themselves, "Old Cheerskep -- he's always faking stuff like this for the sake 
of 
argument. I'm sure he knows damn well what 'art' means."



**************
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