This sounds more   ad hominem than reasoned. Consequently it is not
convincing.
KAte sullivan
In a message dated 6/8/09 8:48:22 AM, [email protected] writes:


> Contrast William's attack on "Miller to reserve for himself the passive
> expectation that art will speak to him"  with Louis Sullivan's 
> declaration in
> Chapter III of "Kindergarten Chats":
>
> "Every building tells its story, tells it plainly.  With what startling
> clearness it speaks to the attentive ear, how palpable its visage to the
> open
> eye, it may take you some little time to perceive.  But it is all there,
> waiting for you; just as every great truth has waited through the
> centuries
> for the man with eyes to see"
>
> "But I can never learn to do this. I feel that it requires the eye of a
> poet"
> (responds the young graduate of architecture school)
>
> "Never fear. We are all poets.  You do  not see things now; but a little
> later
> on things will begin to see you and beckon to you -- so when I tell you
> that
> this wretchedly tormented structure, this alleged railway station, is in
> the
> public-be-damned style, is degenerate and corrupt, I repeat to you only
> what
> the building says to  me"
>
>
> Actually, William  said much the same thing when he once reported how
> quickly
> a judgment of visual quality can be made (I would dig back through the
> archives to find it -- but since William has already promised to disown
> any
> quotations of himself, why bother?)
>
> Come to think of it, contrary to his assertion, below, that "Genuinely
> good
> art is demanding and even arrogant .. It can be confusing and paradoxical"
> ..
> he told us, just two days ago that "the work should evoke more content and
> more nobility than any artist can claim"
>
> So, go figure --- one paradox or double-speak follows another -- just like
> in
> the dark, dreadful "dean world" from which William would now like to be
> comfortably distanced.
>
>
>
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