>There are cases where photographers were good painters and good painters were
good photographers.  Your statement is just narrow opinion---completely
unsupported by any facts or logic.



But there are no cases where anyone (great painter or not) has controlled a
line within a photograph so intensely that we might call it drawn.

Of course, that statement remains a matter of perception, which can be  the
foundation for facts and logic, but cannot be established by them.

I see it that way -- apparently, you do not.

And this gives me yet another exercise for the Miller test of aesthetic
acuity:  can the viewer tell the difference between lines made by cameras and
those made by brushes, pencils, crayons, or engraving tools.





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