Anyone interested in "diverse, linked texts" concerning instrumental, European
classical music should  would probably find that Kivy's book serves as an
excellent introduction.  He discusses quite a few at some length.

Kivy does  not doubt that these texts are profound or that they are presenting
"relationships previously unconsidered"

But he does question what role the music had in generating them.

For example, we can expect that a profound text will be written about each
new, significant archeological discovery in the Middle East, even if it's only
an iron nail that is 500 years older than it should be.

That doesn't necessarily mean that anyone would consider such a nail profound
as a great work of art or philosophy might be.



>The diverse, linked texts tend to run from the conventional  to the profound
-
these texts are quite normative and we are taught to generate them as a way
to
explain things to ourselves and others- the profundity of a work lies in its
ability to require us to move beyond what might be considered a conventional
disposition of either the work or our experience of and and instead require
that we gain insight - think in a manner, or become conscious of
relationships
previously unconsidered


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