and what do you do to earn it

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On Nov 4, 2009, at 4:26 PM, "armando baeza" <[email protected]>
wrote:

> My response was meant for Congers, But you got it, that's fine.
> Entitlements are earned not won.
> mando
>
> On Nov 4, 2009, at 1:21 PM, Saul Ostrow wrote:
>
>> You are entitled to whatever it is you are entitled to -
>> entitlement though is
>> not always a good thing - I do not think I'm entitled to my opinion
>> - I think
>> Ihave won my right to it
>>
>>
>> On 11/4/09 4:10 PM, "armando baeza" <[email protected]> wrote:
>>
>> With all due respect, you are entitled to your view, and so am I.
>> mando
>>
>> On Nov 4, 2009, at 10:33 AM, William Conger wrote:
>>
>>> I find it hilarious that you or anyone could so easily dismiss
>>> anything by Manet, let alone one of his most admired and
>>> universally recognized masterworks. When, and if, that genius
>>> stumbled or "lost it" he was still well above all but a few of the
>>> best artists in history. In my view, it's you who has lost it in
>>> looking at Manet, and have transferred that fault to Manet.
>>> wc
>>>
>>>
>>> ----- Original Message ----
>>> From: armando baeza <[email protected]>
>>> To: [email protected]
>>> Cc: armando baeza <[email protected]>
>>> Sent: Wed, November 4, 2009 12:25:33 PM
>>> Subject: Re: manet
>>>
>>> Can happen to any human, even us.
>>> mando
>>>
>>> On Nov 4, 2009, at 10:12 AM, William Conger wrote:
>>>
>>>> This is truly funny.  "Manet lost it on this design."
>>>> wc
>>>>
>>>> ----- Original Message ----
>>>> From: armando baeza <[email protected]>
>>>> To: [email protected]
>>>> Cc: armando baeza <[email protected]>
>>>> Sent: Tue, November 3, 2009 8:51:08 PM
>>>> Subject: Re: manet
>>>>
>>>> Sorry Chris.
>>>> Manet, as great as he was. lost it on this design. I think he was
>>>> not
>>>> satisfied with this one, yet i love the overall feeling.
>>>> mando
>>>>
>>>> On Nov 3, 2009, at 9:05 AM, Chris Miller wrote:
>>>>
>>>>>> Sorry, but this line of thought is above my intellectual
>>>>>> capacity of
>>>>> comprehension. (Boris Shoshensky)
>>>>>
>>>>> That was it's intention.
>>>>>
>>>>>
>>>>> But it's only only a commonplace to note that " when certain cues
>>>>> are present
>>>>> in a image they (i.e. all viewers) fill
>>>>> in the missing information"
>>>>>
>>>>> While  Saul's response does not  address the recognition of a
>>>>> "central
>>>>> organizing effect" --- which some viewers  (like you, I, and
>>>>> Duve) find in
>>>>> 'The Bar at the Folies Bergere" ,  others (like Mando) apparently
>>>>> do not, and
>>>>> still others (like Saul and William) may find, but consider that
>>>>> issue to be
>>>>> highly subjective, and just one discourse among many that may be
>>>>> conducted
>>>>> concerning any painting.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> ---------- Original Message ----------
>>>>>
>>>>> ...............................
>>>>>
>>>>>
>>>>> Sorry, but this line of thought is above my intellectual
>>>>> capacity of
>>>>> comprehension.
>>>>> Boris Shoshensky
>>>>>
>>>>>
>>>>> From: Saul Ostrow <[email protected]>
>>>>> To: "[email protected]" <[email protected]>,
>>>>> "[email protected]" <[email protected]>
>>>>> Cc: William Conger <[email protected]>
>>>>> Subject: Re: manet
>>>>> Date: Tue, 3 Nov 2009 10:56:13 -0500
>>>>>
>>>>> Someone's expectation that when certain cues are present in a
>>>>> image they fill
>>>>> in the missing information - consequently we see in the case of
>>>>> Manet's
>>>>> painting perspective where there is single organizing principle -
>>>>> that as
>>>>> Mando suggests the painting was painted at different times with
>>>>> some
>>>>> disregard
>>>>> for what came before - similar to what he had done in Luncheon on
>>>>> the Grass
>>>>>
>>>>>
>>>>> On 11/3/09 10:40 AM, "Boris Shoshensky"
>>>>> <[email protected]> wrote:
>>>>>
>>>>> What lies and in which habits?
>>>>> Boris Shoshensky
>>>>>
>>>>> ---------- Original Message ----------
>>>>> From: Saul Ostrow <[email protected]>
>>>>> To: "[email protected]" <[email protected]>,
>>>>> "[email protected]" <[email protected]>
>>>>> Cc: William Conger <[email protected]>
>>>>> Subject: Re: manet
>>>>> Date: Mon, 2 Nov 2009 14:17:04 -0500
>>>>>
>>>>> And does this lie in the habits of the viewer in the case of Manet
>>>>>
>>>>>
>>>>> On 11/2/09 1:16 PM, "Boris Shoshensky"
>>>>> <[email protected]> wrote:
>>>>>
>>>>> "Actually I thought what I had sent along supported Williams
>>>>> observation - by
>>>>> demonstrating the fact that the space of the painting has no
>>>>> central
>>>>> organizing principle and that each section or sector has its own
>>>>> logic"
>>>>>
>>>>> That each section or sector has its own logic doesn't prevent
>>>>> composition to
>>>>> have 'bridges' that  create central organizing effect, without
>>>>> which painting
>>>>> would fall apart.
>>>>> Boris Shoshensky
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> ____________________________________________________________
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>>
>> --

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