>
> tintner michael wrote:
> Here are patterns...and more complex patterns
>

Based on the requested constraint to provide example images, and for sake
of establishing a common terminology, let one assume that each image
represents in instance of a artifact generated from a pattern. Thus, from
the two groups of Google images queries:
* patterns (Google image search: patterns) implies generated by algorithm
* complex patterns (Google image search: cellular automation) implies a
generative/evolutionary algorithm, such as cellular automaton (per examples
images), or something similar such as fractals

Here are some patchworks EXCEPT - except that they are NOT all patchworks -
> interestingly some people use "patchworks" to refer to patterns. There is
> considerable confusion in our language use re these terms.
>

Ah, there's the rub. The mainstream use of the word "patchwork", supported
by the overwhelming selection of images that relate to quilting, typically
implies algorithm generated artifacts. Based on input from a subject matter
expert, the prototypical quilt is composed of square blocks, which in turn
are assembled from piecing. Then quilting (which refers only to the
stitching which holds the front, back, and binding together) is applied by
a machine running a computer program. However, there are outlier exemplars
that use appliqué, paper piecing, hand quilting, free-motion quilting and
so forth that qualify as valid patchworks for purposes here, as you pointed
out.


> So here are some specific patchworks:
>

Isn't it a bit ironic that the first image you selected as specific a
patchwork is constructed from a "pattern" (carolina patchworks mrs. roy g.
biv quilt pattern)? The second image (of a carpet) is likely similarly
produced. Nevertheless, the image of the autumn leaf covered ground
adequately conveys the gist (which reminds one of some of your previous
examples of pebbles, etc).

>
> Google figurative logos form collections of patchworks:
>

This is an interesting choice for a patchwork collection example. The third
image (of the Dali themed logo) is rather appropriate since each is an
example of the paranoiac-critical method which Dali made famous (
http://en.wikipedia.org/wiki/Paranoiac-critical_method ). The question is
whether or not that is intentional. The assumption here is that an image
search for "alphabet photos in nature" or "alphabet photos in architecture"
will produce a similar collection of patchwork instance candidates.

In spite of your efforts here, there is not much that this contributor can
add to further the pattern/patchwork debate. However, you have ameliorated
semantic differences to some degree. And on that basis, perhaps the best
contribution to be made at this juncture is to point out similar research
efforts in the cognitive science community that perhaps share your
concerns. You are likely not alone in your views. The first one in
particular lends itself to your "GO TO THE KITCHEN" example:

The minimalist grammar of action (
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3223786/ )

> The repertoire of human actions is infinite, starting from the simplest
> intentional body movements such as stretching a leg to creative dancing
> routines, to interaction with tools and objects such as grasping a knife,
> to even more complex series of actions that formulate events, such as
> preparing a salad or cleaning the house. Uncovering the structure of action
> has been a quest in many disciplines, including cognitive science and
> artificial intelligence.


Lexical knowledge without a lexicon? (
http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3209550/ )

> All of this has led to a sea change, resulting in the view of the mental
> lexicon as a data structure of tremendous richness and detail. And this, I
> want to propose, should begin to raise some worries. How much detail ought
> to go in the lexicon? Is there a principled way to adjudicate between
> information that belongs in the lexicon and information that belongs
> elsewhere?



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