Hi Mike,

"John Arne Riise stood doubled over in his tiny corner of football hell."


These sentences are great demonstrations of why I favor a construction grammar. 
  It's not necessary to process the imagery from first principles.  These 
sentences are full of idioms that can be simply treated as constructions (i.e. 
form <--> meaning pairs).
doubled over -- from WordNet: bent over or curled up, usually with laughter or 
paincorner of X hell -- a very uncomfortable situation involving Xtiny corner 
of X hell -- very uncomfortable situation involving X in which the agent (i.e. 
John Arne Riise) does not share the situation with anyone else...and so forth 
for the rest of the passage.  The downside of construction grammar is lots of 
constructions.  But human children learn them, by being taught and by 
observation / induction , so I think a dialog system can too.

This sort of text by the way, long ago put an end to the Cyc Project's then 
ambition to read and comprehend an article in a newspaper.  Texai may fail 
also, but certainly not in the same way Cyc did.
 
-Steve


Stephen L. Reed

Artificial Intelligence Researcher
http://texai.org/blog
http://texai.org
3008 Oak Crest Ave.
Austin, Texas, USA 78704
512.791.7860

----- Original Message ----
From: Mike Tintner <[EMAIL PROTECTED]>
To: [email protected]
Sent: Wednesday, April 23, 2008 8:07:13 PM
Subject: Re: [agi] Why Symbolic Representation P.S.

 Abram,

Just to illustrate further, here's the opening lines of today's Times sports 
report on a football match.[Liverpool v Chelsea] How on earth could this be 
understood without massive imaginative simulation? [Stephen?] And without 
mainly imaginative memories of football matches?

"John Arne Riise stood doubled over in his tiny corner of football hell. 
Agony engulfed him. One by one, teammates offered a pat on the back, a 
handshake, or just a touch, some form of human contact to show they cared. 
None of it did much good. He walked, step by aching step, to the sanctuary 
of the dressing-room, discarding bits of the apparatus of the professional 
footballer as he went. A tie-up here, a shin pad there.

He clamped down on his water bottle and held it between his teeth, like a 
bit to stop him gnawing through his bottom lip. A camera zoomed in to show 
muscles around his eyes and mouth tensing as his mind worked overtime. He 
looked like Harold Shand being driven to his execution in the final scenes 
of The Long Good Friday. A replay of every mistake he had made to get there 
was showing on his face." 


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agi
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agi
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