Hello Rawatji,

How would you define the ARR signature? I do agree that most of the
time, we are able to identify that a particular song is by ARR. Is it
the clean arrangements, is it the recording quality, is it the
involved vocals , clarity of thought ? What is it that elevates an ARR
song from the rest? The tune, I think is very important but is not the
only thing.

Warm Regards
~~~~~~~~~~~~~~~
Vinayak
http://theregoesanotherday.blogspot.com/

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Main chupana jaanta toh jag mujhe sadhu samajhta, Shatru ban gaya hai
chal rahit vyahvar mera

Harivanshrai Bacchan
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On Tue, Jul 22, 2008 at 8:25 AM, V S Rawat <[EMAIL PROTECTED]> wrote:
> I am confused because my 16 years of ARR experience is has deserted me.
>
> The problem is: I am not able to find Rahman's SIGNATURE in Pappu Can't
> Dance of JTJYN and Hawa, sun Hawa of Ada.
>
> Pappu got hit like anything and it feels great that our man did a
> Muqqala or a hello doctor again. Hawa, sun hawa is so calm and cool, so
> soothing, subtle like Water songs, it is a pleasure to listen to it.
>
> In rest of the songs of these two albums, I could find the telltale ARR
> effect, but not in these two songs. I feel that these songs could have
> been as well composed by anyone else. No, not copy, no inspiration, no
> nothing. Just a genre, a level, just that others have given songs of
> that type in the past.
>
> If I am still not clear, you listen to first 1 second of Tu Hi Rey, and
> you can tell it it ARR's. No, not memory, but the effect, the sound, the
> level. Nobody but ARR could have created it. Nobody could in last 10
> years, even with inspiration from ARR.
>
> I have listened these two songs many times, still, I could not identify
> that ARR effect in these two.
>
> Could anyone help me here.
>
> Which part of Pappu and Hawa hold the telltale Signature that ARR is
> known for and that no one else could create so far?
>
> --
> V
>
> 

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