Rawat am with you on this, but not just this, of late in atleast 1 or 2 songs in each album where i think it sounds like a half-hearted composition.
Like you I adore arr for his very diff style in presenting a simple song. But I hate to disappoint, except for the brief intro bit where he sets the temp for Pappu cant dance, the rest is a regular ordinary song. probably Aamir wanted an ordinary song to exemplify the lyrics. Papu is a hit more coz of the lyrics and its indirect take on Salman Khan. I havent hear the Hawa song, atleast I doesnt have a recall value. Probably there are still lots of members in this group yearning for the vintage ARR. But they wont speak out as they fear being bashed by the rest. Am glad am not alone in missing the magic from ARR. Lately its either the lyricists who are letting him down or at times its himself. ARR needs to be inspired to come up with something out of the ordinary.. That is not being done by the new breed of directors, so every now and then we have to wait for Ashutosh, Aamir, Mani or Shankar to get the best. Am sure Ghajini will be good as AAmir will save the best for himself. we will wait.. --- In [email protected], V S Rawat <[EMAIL PROTECTED]> wrote: > > I am confused because my 16 years of ARR experience is has deserted me. > > The problem is: I am not able to find Rahman's SIGNATURE in Pappu Can't > Dance of JTJYN and Hawa, sun Hawa of Ada. > > Pappu got hit like anything and it feels great that our man did a > Muqqala or a hello doctor again. Hawa, sun hawa is so calm and cool, so > soothing, subtle like Water songs, it is a pleasure to listen to it. > > In rest of the songs of these two albums, I could find the telltale ARR > effect, but not in these two songs. I feel that these songs could have > been as well composed by anyone else. No, not copy, no inspiration, no > nothing. Just a genre, a level, just that others have given songs of > that type in the past. > > If I am still not clear, you listen to first 1 second of Tu Hi Rey, and > you can tell it it ARR's. No, not memory, but the effect, the sound, the > level. Nobody but ARR could have created it. Nobody could in last 10 > years, even with inspiration from ARR. > > I have listened these two songs many times, still, I could not identify > that ARR effect in these two. > > Could anyone help me here. > > Which part of Pappu and Hawa hold the telltale Signature that ARR is > known for and that no one else could create so far? > > -- > V >
