Bingo! Gomzy ... I was about to say the introduction of flute in hawa sun hawa ... can't be ne1 but ARR. The fantastic way its been brought in ... Takes my breath away.
--- On Tue, 7/22/08, Gomzy <[EMAIL PROTECTED]> wrote: From: Gomzy <[EMAIL PROTECTED]> Subject: Re: [arr] Where is Rahman's SIGNATURE in Pappu and Hawa songs? To: [email protected] Date: Tuesday, July 22, 2008, 5:23 PM Pappu cant dance- The string bit in the begining along with the bass....definetly ARR style Hawa Sun Hawa- The flute pieces, the aja re aja re repeats throught the song....definetly ARR` On Tue, Jul 22, 2008 at 8:55 PM, V S Rawat <[EMAIL PROTECTED] com> wrote: I am confused because my 16 years of ARR experience is has deserted me. The problem is: I am not able to find Rahman's SIGNATURE in Pappu Can't Dance of JTJYN and Hawa, sun Hawa of Ada. Pappu got hit like anything and it feels great that our man did a Muqqala or a hello doctor again. Hawa, sun hawa is so calm and cool, so soothing, subtle like Water songs, it is a pleasure to listen to it. In rest of the songs of these two albums, I could find the telltale ARR effect, but not in these two songs. I feel that these songs could have been as well composed by anyone else. No, not copy, no inspiration, no nothing. Just a genre, a level, just that others have given songs of that type in the past. If I am still not clear, you listen to first 1 second of Tu Hi Rey, and you can tell it it ARR's. No, not memory, but the effect, the sound, the level. Nobody but ARR could have created it. Nobody could in last 10 years, even with inspiration from ARR. I have listened these two songs many times, still, I could not identify that ARR effect in these two. Could anyone help me here. Which part of Pappu and Hawa hold the telltale Signature that ARR is known for and that no one else could create so far? -- V
