Very interesting measurements indeed.

For anyone interested, the subject of jitter and its audibility is well
discussed in the literature with one Julian Dunn being the recognized
expert. Here is an excellent application note detailing this very
topic...

http://www.audioprecision.com/bin/tn23.pdf

Another set of gentlemen, Eric Benjamin and Benjamin Gannon conducted
research on test subjects to determine the minimum audible limit of
jitter. They found it to be 10ns rms with test tones and 20ns rms with
music.

Lest you not be convinced by mere listening panel observations, one can
determine the absolute theoretical audibility of jitter by simply
requireing the error induced by jitter to be lower than the
quantization level of the format...namely 16 bits with the worst case
input signal...a fullscale 20KHz sinusoid.

Let V(t) = A*sin(w*t). 
Now differentiate to find the max slew rate

dV(t)/dt = A*2*pi*f*sin(2*pi*f*t)

The max slope of a sinusoid is 1 and therefore the max slew rate is

2*pi*f*A

Let A = 325768 (max fullscale signal)
f = 20000

which gives a max slew rate of 4.11 bits/ ns

and thus if the jitter is less than 1/4.11e9 = 243ps peak then there
cannot be a single LSB change. Now this is somewhat arbitrary and does
not consider sideband modulation due to the spectral content of the
jitter and the fact that humans can hear tones that are deeply buried
in noise. The accepted theoretical dynamic range of the compact disc
format is 120dB when properly dithered. Thus one could require the
jitter be another 24dB lower (the quantization noise for 16 bits =
16*6.02 = 96dB) or 244ps / 15.8 = 15.4ps.

In any event, the jitter of the Squeezebox 2 is very low indeed.

Well Done Slim Devices!


-- 
MarcBernard
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