jeffluckett;142481 Wrote: 
> Well, really it is part art, and part science.

Nope, still don't agree. It's part science and part economics. It's a
cost compromise and therefore you design a speaker or other component
based on your own personal set of distortion preferences. You audition
it at home to see if those compromises will work in you system and you
may for example choose a speaker with a rolled-off high end to balance
out an cartridge that has a peak in the same region. The speaker may
suit the acoustic imbalances in the listening room more than other
speakers. You can meaure that, it's not art. There might be experience
people that know what might work and how to balance a system out in
this way, but if you had the right gear you could measure it.
Components like the TACT systems do exactly this and we're told they
have a big impact on reproduction.

The "art" if there is any, is in choosing a set of compromises that
appeals to the largest audience - or reviewers if you want a good
write-up. That isn't because it's immeasurable, it's because you choose
not to bankrupt the company spending years developing a $5 billion
dollar speaker and instead come up with a design that is inaccurate in
a pleasing way.

Even then it's not "art", it's market research and understanding your
target audience, which is why Bose and B&O do so well. The balance of
the reproduction of their gear sounds impressive and "HiFi" to the mass
market.

I suppose you say that the modders know their audience and so are
applying an art of sorts, but I'd rather get a mod based on solid
engineering principles.


-- 
CardinalFang

You're only young once, but you can be immature forever...
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