SoftwireEngineer;146318 Wrote: 
> I guess, the buffer, is really small to makeup for time needed to
> (re)read the data properly.
> 
Except for portable players with "anti-skip" buffers, CD players do not
re-read. If there is an uncorrectable error, then it is concealed,
either by interpolation or in extreme cases muting. (I should just
point out that the number of uncorrectable errors experienced when
playing a CD in good condition on a player that's working properly is
typically zero - you might get the odd one here and there on some
discs, but it's not a big issue).

SoftwireEngineer;146318 Wrote: 
> So for all practical purposes, the 'small buffer' in the CD players
> might as well be non-existent.
A CD player without such a buffer simply wouldn't work, so it could not
be non-existent.

I think there's a danger that some people are interpreting the purpose
of this small buffer in CD players as some sort of jitter-reducer. That
is not its primary purpose. The data that is on a physical CD isn't a
one-to-one representation of the 16 bit samples. Every 8 bits are
encoded into 14 bits (so that there can never be more than 3
consecutive bits that are the same - this is to help keep the laser
tracking correctly). Also, the data is arranged into blocks (588
samples, plus their error correction code, per block), and the content
of a block is interleaved around the disc so that burst errors can be
corrected. Thus the data stream that emerges from the laser bears
little relationship to the required 16 bit samples. The buffer is used
to de-interleave, decode the 8-to-14 modulation, and apply error
correction where necessary. Once reconstructed, the samples are then
clocked out under the control of the DAC's master clock.

As it happens, because the output of the buffer is controlled by the
DAC's clock, jitter from the transport is eliminated. Basically, jitter
'twixt transport and DAC is a non-issue in a single box CD player. It
only rears its ugly head when you send the digital samples on to an
external DAC.


-- 
cliveb

Performers -> dozens of mixers and effects -> clipped/hypercompressed
mastering -> you think a few extra ps of jitter matters?
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