darrenyeats wrote: 
> Right, the problem would be with conversion to PCM.
> Darren

Both programs that I know of which convert DSD to PCM have several
different filters available so there would not be a "problem" just a
different filter from that used by a given SACD player. For example here
is the filtering information for the Korg AudioGate program, copied from
the user guide (minus the images but still understandable):

> 2.8 MHz DSD Filter
> Sets the additional filter for the conversion from 1 bit/2.8 MHz songs
> to 176.4 kHz or 192 kHz PCM files.
> Off
> The additional filter will not be applied.
> Soft Roll-off (– 3 dB @50 kHz)
> Applies a low-pass filter with soft roll-off.
> Sharp Roll-off (– 3 dB @42 kHz)
> Applies a low-pass filter with sharp roll-off.
> Normalize
> This specifies whether normalization (increasing the level as high as
> possible without creating distortion) will
> be applied. If you enable this, the GAIN of each song will be
> automatically adjusted to the optimal value.
> Off
> Normalization will not be applied. The volume level after conversion
> will be according to the original GAIN
> setting.
> Individual Songs
> Each song will be normalized individually to its respective maximum
> volume. The original GAIN setting
> will be completely ignored.
> Current Songlist Selections (avg. level)
> The maximum peak from all songs being exported will be found, and the
> songs will be normalized while
> preserving the volume balance between songs.
> Select
> Select
> 31
> The original GAIN setting will be used to adjust the balance between
> songs.
> When you use normalization, the automatically-adjusted GAIN will be
> indicated in blue text while the
> files are being exported.
> In general, converting the sample rate will require samples to be
> interpolated, possibly causing the peak
> levels to be slightly higher than the original data. If the song's peak
> level was already close to 0 dB before
> normalization, the GAIN may be automatically adjusted to below 0 dB.
> 1-bit audio data may contain loud sounds that exceed the limits of PCM.
> If normalization is applied when
> converting 1-bit audio to PCM, the GAIN may be automatically adjusted to
> about -3.0 dB.
> When exporting in 1-bit audio format, normalization is applied
> referenced to 0 dB-SACD, but in some
> cases the output data may slightly exceed the reference value (i.e., the
> level meter indication may exceed 0
> dB). Even in this case, the signal is far lower than the theoretical
> clipping level for 1-bit audio, so there will
> be no problem with the exported data as long as the clip indicator does
> not light.
> When normalization has completed successfully, and export or disc
> creation has ended, a dialog box will ask
> “Do you want to load the normalized gain setting to the songlist?” If
> you choose “Load,” the GAIN setting
> used for normalization will be applied to the “Song settings” for each
> song.
> By applying the GAIN used for normalization to the “Song settings” of
> each song, and then exporting
> with the Normalize box set to “Off,” you can greatly reduce the
> processing time for subsequent exports.
> However if you've changed the output sampling frequency, the peak values
> of the output data will change
> slightly, so you'll need to execute normalization once again.
> Dither
> Here is where you can choose the dither settings for exporting the
> results of the internal high-precision calcu-lations as 16/24-bit data.
> None
> The results of the internal calculations are rounded up or down to
> 16/24-bit data. If the volume of the song is
> sufficiently loud, there will be no particular problems even with this
> setting.
> TPDF Dither
> Standard white noise dithering will be applied. The noise floor will
> increase slightly, but distortion components can be completely
> suppressed.
> Choose this if you'll be continuing to edit using another application
> after exporting the song.
> KORG AQUA
> This method takes into account the characteristics of human auditory
> perception, producing a higher quality master by limiting the increase
> of quantization noise in important frequency regions.
> Select
> 32
> Choose this if you're exporting a song as the final master.
> AudioGate is able to automatically detect situations in which dithering
> is not necessary. Even if dithering
> is set to “TPDF Dither” or “KORG AQUA,” this setting may be ignored in
> some cases to avoid any
> increase in noise.


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