mlsstl wrote: 
> Over a 10 year period I transferred about 2,000 LPs to CD/44.1K digital
> format (which I finished 2 or 3 years ago -- now just doing the odd
> album here and there). Back-to-back and level-matched, I never could
> tell the difference between direct playback of the LP and the unedited
> digital copy. To me, that says that the commonly ascribed differences
> between the LP and commercial CD releases has far more to do with
> processing/mastering decisions than anything inherent to the storage
> format. 
> 
> Of course, LPs, with their 40 dB equalization swing from 20 Hz to 20 KHz
> and the various constraints imposed by the physical aspects of putting
> sound in plastic grooves, imposed certain limitations as to how music
> for LPs was recorded and processed. The CD was free of many of these
> constraints, which ironically, led to fads -- never "required" by the
> format -- such as the loudness wars. 
> 
> However, fad and fashion rules, often taking precedence over capturing
> the musicality, dynamic range and subtleties of live acoustic music.
> Give people unrestricted tools as digital has done, and they will play
> with them.

And sadly make gooey mess of it ? :(

The music is important not the format .

Many audiophiles are a bit format obsessed at the moment . It made sense
in the past not really now , but it sticks and you can resell them dark
side of the moon yet again ?



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