On Wed, 2007-11-07 at 11:59 +0000, Brian Butterworth wrote:
>         >> Various parts of its non-DRM on demand radio proposals
>         (book readings,
>         >> classical music) failed the  Public Value Test due to the
>         BBC Trust's
>         >> fears over the negative market impact of non-DRM
>         downloads. 

>         > Yes, more people would have learnt about classical music
>         and 
>         > read more books
>         
>         This is something that you should be taking up with the BBC
>         Trust. The BBC *wanted* to deliver books/ classical music, and
>         we weren't allowed to. As with a lot of the other issues
>         mentioned, we are regulated by the Trust.
>  
> £45 million a year is spent on BBC Radio 3.  It seems a poor use of
> this spending to not allow the classical music to be podcasted, I was
> shocked when the Trust showed a certain myopia on this front.  It's
> not like any of this music has copyright issues, for a start.  

The BBC has many fine orchestras, and through their concerts, and
the broadcast of these, unquestionably enriches the musical life
of the nation. However, puzzlingly, Radio 3 has a very small
audience. Podcasts could certainly be one way of getting more
people listening to and enjoying serious music - it certainly worked
with R3's Beethoven event, and the popular download of the
symphonies. 

Hmm - inform, educate, entertain :)

I find it puzzling that two of the things I value most are not
being supplied in the on-demand service, failing the ``public 
value test.'' 
Does it mean that the BBC does not value them - or rather that 
they are too valuable for the public? It seems to be that spurious
commercial interests [1] were put before the BBC's remit :-/

 - Richard

[1]
http://www.bbc.co.uk/foi/docs/bbc_trust/trust_consultations/BBC_OnDemand_Proposals.pdf
3.5 Non-DRM audio downloads
``In our consultation, 66 per cent of respondents (4,676) felt that the
BBC should be allowed to offer either all or some radio broadcasts of
classical music as downloads over the internet. Many regarded the MP3
format of audio downloads as inferior in quality to CDs and therefore
unlikely to serve as a substitute for CD purchases.''
``This view was echoed by organisations representing consumers, such as
the Friends of Radio 3 who suggested setting an annual limit on the
number of downloads of classical works (an option we considered in our
provisional conclusions). The Voice of the Listener and Viewer pointed
to the unique role of BBC ensembles in presenting unfamiliar repertoire
and new music.''

``... The Musicians’ Union was against exclusion of classical music and
asked the Trust to re-visit allowing some classical music to be
included. It pointed out that there is little classical music being
recorded by the major record companies, with most new recordings coming
from labels set up by musicians themselves – who were also working
closely with the BBC to secure their rights in on-demand offerings. The
Radio Independents Group suggested the BBC could partner with specialist
record labels to co-ordinate free downloads of performances of BBC
orchestras and follow-on commercial CDs.''









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