On Thu, 05 Apr 2018 23:08:43 +0000, Jack Mitchell wrote:
> That works a lot of the time, but it really doesn't work in dances like Ken
> is talking about. Dance like song in
> the night (gene Hubert), or for other dances where you go out and then in and
> then out, not necessarily with your
"Song in the night" was the second dance I called in my End-effects workshop,
and you're right that "Treat your partner as a
neighbour" doesn't work here. I do mention "dancing with ghosts" a few lines
later, and generalise the rule to "Keep doing as
much of the dance as you can", and I agree that here you need to do a star
three-quarters with ghosts.
On Thu, 5 Apr 2018 23:34:02 -0400, K Panton via Callers wrote:
> "Happy as a Cold Pig in Warm Mud" would be another where a star with ghosts
> would be on offer.
Here I think it's easier to do a left-hand turn with your shadow.
The really important thing is to get dancers _thinking_ about end-effects,
rather than just reaching the end of the set and
switching their brains off!
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