On Thu, 05 Apr 2018 23:08:43 +0000, Jack Mitchell wrote: > That works a lot of the time, but it really doesn't work in dances like Ken > is talking about. Dance like song in > the night (gene Hubert), or for other dances where you go out and then in and > then out, not necessarily with your > partner.
"Song in the night" was the second dance I called in my End-effects workshop, and you're right that "Treat your partner as a neighbour" doesn't work here. I do mention "dancing with ghosts" a few lines later, and generalise the rule to "Keep doing as much of the dance as you can", and I agree that here you need to do a star three-quarters with ghosts. On Thu, 5 Apr 2018 23:34:02 -0400, K Panton via Callers wrote: > "Happy as a Cold Pig in Warm Mud" would be another where a star with ghosts > would be on offer. Here I think it's easier to do a left-hand turn with your shadow. The really important thing is to get dancers _thinking_ about end-effects, rather than just reaching the end of the set and switching their brains off! Colin Hume _______________________________________________ List Name: Callers mailing list List Address: [email protected] Archives: https://www.mail-archive.com/[email protected]/
