Hear, hear! My sentiments exactly! How on earth are you supposed to “give 
weight” (in the proper way, just a tiny bit so you are both part of a unit) and 
get around each other with a flat, palm to palm contact? The only way that 
works is that people bend their wrists so that they have some purchase on the 
other person. Which hurts my now no longer flat wrist! So wrong, painfully 
wrong. Please, please, please, stop teaching a flat hand allemande. It doesn’t 
work. Curved fingers, straight wrist, the thumb is just sort of loose and not 
doing much. Thank you for bringing that up, Erik!
Martha

> On May 17, 2019, at 3:01 PM, Erik Hoffman via Callers 
> <callers@lists.sharedweight.net> wrote:
> 
> John Sweeny below hoped we callers would teach more about hand turns and the 
> like.
>  
> I’ve been thinking on this for quite a while. Years ago I had a discussion 
> with Brad Foster. We both lamented the loss of the allemande with mildly 
> interlocking thumbs to the modern overprotective thumb against the side of 
> the palm allemande. At that time I think I was still in Santa Barbara, thus 
> it must have been pre 1994. I wrote an article for our dance rag called, “If 
> Allemande Left, Where’d Allemande Go?”
>  
> I talked about what I do when someone grips my hand—and I think all of us 
> should remove that word, “grip” from our caller’s vocabulary…
>  
> But the most important thing I discussed is:
> Our Wrist is Strongest When It’s Straight
> Our Fingers are Strongest When Curved
> Thus, however one does an allemande, it should be a hook, with curved fingers 
> and a straight wrist.
>  
> Lately I’ve seen teachers promote the straight fingers, bent wrist, and flat 
> palm method. The almost always makes one person’s wrist uncomfortable. Not as 
> bad as when someone draws the others hand into that 
> almost-Aikido-put-them-on-the-ground position, but usually quite 
> uncomfortable.
>  
> Thus I hope most of us learn the curved fingers, straight wrist, no grip, 
> and, no thumb clamping allemande, ECD hand turn, two hand turn type hand 
> connections.
>  
> ~Erik Hoffman,
>    Oakland, CA
>  
> From: Callers <callers-boun...@lists.sharedweight.net 
> <mailto:callers-boun...@lists.sharedweight.net>> On Behalf Of John Sweeney 
> via Callers
> Sent: Friday, May 17, 2019 2:09 PM
> To: 'Caller's discussion list' <call...@sharedweight.net 
> <mailto:call...@sharedweight.net>>
> Subject: Re: [Callers] Name that Dance
>  
> Hi Rich,
>               I would just call it a “Big Set Mixer”.  It is a slight 
> variation of the one in the Community Dances Manual.  Callers just make up a 
> 32 bar sequence that works for their dancers.
>  
>               While it is a good example of all ages having fun together, I 
> really wish callers would teach the dancers just a tiny bit about how to do 
> better hand/arm turns and swings :-)
>  
>             Happy dancing,                         
>                    John                                  
>                                    
> John Sweeney, Dancer, England   j...@modernjive.com 
> <mailto:j...@modernjive.com> 01233 625 362 & 07802 940 574                    
>      
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> <http://contrafusion.co.uk/KentCeilidhs.html> for Live Music Ceilidhs         
>               
> http://www.contrafusion.co.uk <http://www.contrafusion.co.uk/> for Dancing in 
> Kent                                         
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>  
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