Everything was peaceful in Tiny Town, until Cotty
<[EMAIL PROTECTED]> wrote:

>On 17/8/06, Keith E., discombobulated, unleashed:
>
>>Everything was peaceful in Tiny Town, until Cotty
>
>Be afraid. Be very afraid!

I am.  Always.  Y'never know what's sneaking up on you.

[...]
>Gosh. Lots of questions.
>
>Each one then:
>
>>You said in your earlier post your 'one lens' is a 24-70 zoom,
>>correct? 
>
>Urr, sort of. Actually I wanted recommendations for a 'one lens', and I
>mentioned what I use now. Viz:
>
>---------original post------------
[...]
>My usual single lens for the 'If I Could Only Take One Lens With Me'
>scenario is the EF24-70 and it's pretty good. However, I miss the
[...]
>-----------end original post------------
>
>I think the key points are in the last para....

I fixed on the bit above after you narrowed your preferences to
the 24mm and 35mm.

>And next:
>
>>When you only have that one lens, where do you find
>>yourself using it most often?  If it's on 24mm most of the time,
>>get the 24mm prime.  If it spends more time zoomed, you'll
>>probably prefer the 35mm. 
>
>Ack. Good point. 24 seems to spring to mind, but then so does 70mm. Not
>much help.
>
>And finally:
>
>>The choice really comes down to one
>>thing - how do _you_ see?
>
>Excellent question. If only I knew the answer...
>
>I think what I'm trying to find out is - what exactly gets *your*
>enthusiasm going when it comes to a lens. Daft question - maybe.

My 100-400L - but that doesn't help you in the least.

>Everyone has their favourite, even if it's a lens long since shelved
>from a system far far away (cue John Williams). It's something difficult
>to describe. With me, it is most definitely the Pentax SMC A*85mm f/1.4
>and I will be buried with it. It is all the things one might want from a
>manual focus lens, a classic. That I have spent time and money adapting
>it to EOS says something. The pure enjoyment of photographing with it is
>intense, it makes the blood race. It is an emotional thing, as
>photography should be - from the heart - instead of surrounded by
>numbers and formulae. There's no denying the numbers, they are there and
>an intrinsic part, but there's no denying the emotion as well.

And that's why I asked questions instead of trying to pick one
lens.  Unlike choosing a lens for a specific task, everything
about the choice you're making is subjective.  For example, my
favorite body is a beat-up old black FTb.  Using it makes me feel
good, like you with the Pentax 85mm.

>And so, having switched a few years ago to Canon, I want to find a
>modern - and wider - lens that will give me that je ne sais quoi. That
>emotion and intense satisfaction to use. After all, the lens is the most
>important part of the process no? The best camera in the world is only
>hiding without the best lens to see with.

Absolutely; a body is just a glass holder.  The FTb still makes
me feel good, though.

>Sorry for the diatribe. Wine + midlife crisis and all that. It's either
>a decent lens or a Harley, I dunno ;-)

Personally, I'd love an old Vincent.

>What I am asking is: 

Maybe I owe you a bit of explanation.  A few months back I was
watching an instructor handling nursing students during their
hands on training with hospital patients.  She never straight out
answered a question, she asked her students questions that led
them to finding the answer on their own.  Since the choice you're
making (aside from quality issues) depends mostly on how you see,
I tried asking a couple questions that'd get you closer to an
answer.  Personally, I tend to block out large portions of a
scene and pick out details, hence the 100-400L getting the lions
share of my shooting time - usually zoomed to 400mm.  I could
live with just a 400mm, but if I had to use only a 24mm it'd
drive me crazier.  

Perhaps a better question to ask yourself is, which lens wouldn't
make me feel limited?

-- 
Keith E.
Excrementum casus
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