here is a suggestion - you can tell me I am crazy if you want -: impute
the three voices and tie the middle one then in layer two impute only
the middle voice and tie the notes, hide the stems in layer two and
select and drag the tie from one of the ends to wherever you feel is ok
then go back to layer one , select the tie of the middle voice's
opposite end and drag to wherever necessary - if you want you can change
the layer's two color to match that of layer one so nobody can
distinguish what's underneath...
waiting for laughs
I remain yours
GR
Johannes Gebauer wrote:
On 21.11.2005 Godofredo Romero wrote:
thank you but this doesn't answer my question , and I apologize for
not being more explicit - I know what whiting out is and where the
term derives from-
what I would like to know is a) in what instances of a music part or
score is it used b) what effect does it produced and c) which part
of the tie is to be whited out, the start, the end or the middle of
the tie..
In my particular case I have three voices in one staff, and the middle
voice is tied over, while other voices have much shorter note values.
The tie collides with notes, and there is simply no way to avoid it.
So I would like to white out those parts of the tie that collide with
stems or noteheads.
Johannes
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