(It shouldn't be TOO good, or it will lose the realism. Squeaky clarinets, honky oboes (or else an out of tune muted trumpet), a completely overpopulated but still inadequate flute section, trumpets that crack every second note, horns that crack EVERY note, justifiably timid trombones, saxes that overrun the rest of the woodwind section etc., are part of the wind ensemble experience! And maybe the expanded Human Playback in Finale could take advantage of the new sound set and have the percussionists miss every second entrance and enter a 16th note early or 16th note late alternatively when they do come in. I can see it now: the Charles Ives' Country Band plugin!)
All-too-human playback
(It shouldn't be TOO good, or it will lose the realism. Squeaky clarinets, honky oboes (or else an out of tune muted trumpet), a completely overpopulated but still inadequate flute section, trumpets that crack every second note, horns that crack EVERY note, justifiably timid trombones, saxes that overrun the rest of the woodwind section etc., are part of the wind ensemble experience! And maybe the expanded Human Playback in Finale could take advantage of the new sound set and have the percussionists miss every second entrance and enter a 16th note early or 16th note late alternatively when they do come in. I can see it now: the Charles Ives' Country Band plugin!) All-too-human playback
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