At 1:03 PM -0500 9/13/07, Patrick Sheehan wrote:
It's true that it's played on a piccolo in the traditional pit orchestras of today; I conducted it a few years ago and had my flutist put on her "picclist" hat for those moments.

I don't argue that a soprano recorder should be used, but it may not carry if your orchestra is (as it should be) IN the pit, not backstage or wherever-else. Flutists who are not very verse on recorders would have a tendency to crack on the notes, as well.

Agreed, although that's just another way of saying that doublers should not double on instruments they don't know how to play!

Luckily the tune is in F, and the dotted / triplet figure that is so famous doesn't contain any accidentals, so it "lays easy" on the instrument.

There are no difficult fingerings on recorder, only difficult fingering COMBINATIONS, but I certainly take your point.

But the reason i brought it up as a notation problem in the first place is that it is notated an octave higher in the part than it would be in a correctly notated soprano recorder part, which means that the orchestrator (or the copyist) was ignorant of proper recorder notation. I could have put down my viola and played the part on recorder (and read it down an octave), but we had a good piccolist and it wasn't really worth the trouble.

John


--
John R. Howell
Virginia Tech Department of Music
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http://www.music.vt.edu/faculty/howell/howell.html
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