David W. Fenton wrote:
I've always wondered why the default fermata articulation has
over/under definitions. I've never seen a score that puts the fermata
anywhere but OVER the staff, and always have to change this when I
end up with a file that uses the defaults.
This has always struck me as one of the places where the Finale
defaults are just wrong.
When there are two separate parts on a staff (soprano-alto, tenor-bass)
you always put the fermata both over and under the music.
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