Shows up in choral music a lot. Not rare in my work. ---- "David W. Fenton" <[email protected]> wrote: > On 14 Jun 2009 at 23:55, Barbara Touburg wrote: > > > David W. Fenton wrote: > > > > > > I've always wondered why the default fermata articulation has > > > over/under definitions. I've never seen a score that puts the fermata > > > anywhere but OVER the staff, and always have to change this when I > > > end up with a file that uses the defaults. > > > > > > This has always struck me as one of the places where the Finale > > > defaults are just wrong. > > > > > When there are two separate parts on a staff (soprano-alto, tenor-bass) > > you always put the fermata both over and under the music. > > Fine. In that rare situation, you create a fermata for that. In the > 18 years I've used Finale, the number of times I've never encountered > that situation could be counted on the fingers of one hand. > > -- > David W. Fenton http://dfenton.com > David Fenton Associates http://dfenton.com/DFA/ > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale
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