Concert pitch scores are strongly preferred in new music circles. This has been 
true for years. I use transposed scores for my own music, but the vast majority 
of the scores I've worked on as a copyist have been concert pitch scores. I 
happen to know that the composers and conductors I've worked for who insist on 
concert pitch scores (Petr Kotik, Christian Wolff, Somei Satoh, to name a few) 
are perfectly comfortable reading transposed orchestral scores as well.

Alto clef is a nonsequitur. Nobody brought that up. Of course nobody has a 
problem with alto or tenor clef in a concert pitch score. 

Cheers,

- DJA
-----
WEB: http://www.secretsocietymusic.org

On 3 Aug 2010, at 9:02 PM, John Howell wrote:

> At 8:19 PM -0400 8/3/10, Darcy James Argue wrote:
>> John,
>> 
>> Indicating the transposition for octave-transposition instruments *is* in 
>> fact frequently done in concert pitch scores (aka "scores in C," though I 
>> much prefer the term "concert pitch scores").
> 
> I don't question that, but I never write concert pitch scores (except for 
> entering notes, when it can be very helpful), never send them out, and I 
> would be very annoyed to open a score and find it in concert pitch.  Perhaps 
> that's just because I've been reading orchestra scores since before I entered 
> junior high!  I regularly use the tenor G clef for male vocal parts, since 
> THAT clef has been everything under the sun since the late 19th century, but 
> I would see no useful value to  having stacks of ledger lines for piccolo or 
> double bass.  Guitar, yes, since concert pitch would not be any worse than 
> trying to shoehorn alto or tenor sax or horn into concert pitch. And of 
> course viola or any of the other C clef parts ARE concert pitch.
> 
> John
> 
> 
> -- 
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> College of Liberal Arts & Human Sciences
> Blacksburg, Virginia, U.S.A. 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:[email protected])
> http://www.music.vt.edu/faculty/howell/howell.html
> 
> "We never play anything the same way once."  Shelly Manne's definition
> of jazz musicians.
> _______________________________________________
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