Robert, What Darcy said.
Chuck On Oct 1, 2011, at 1:52 PM, Darcy James Argue wrote: > Hi Robert: > > In the key of C: > > Ger 6th: Ab7 > Fr 6th: Ab7 (#11) or Ab7 (#4) > It 6th: Ab7 (omit 5) > > In jazz theory, these would all be considered tritone substitutions for the > applied dominant of V (V7 of V). > > Cheers, > > - DJA > ----- > WEB: http://www.secretsocietymusic.org > > > > On 1 Oct 2011, at 4:16 PM, Robert Patterson wrote: > >> Is there any accepted practice for writing aug 6th chords in a jazz chart? >> For example, in the key of D Maj, a Ger 6th would be enharmonically Bb7, but >> is there a more appropriate notation? And what about Fr and It 6th chords? >> _______________________________________________ >> Finale mailing list >> [email protected] >> http://lists.shsu.edu/mailman/listinfo/finale > > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale Chuck Israels 1310 NW Naito Parkway #807 Portland, OR 97209-316 land line: (971) 255-1167 cell phone: (360) 201-3434 <www.chuckisraels.com> <www.chuckisraelsjazz.com> _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
