Points well taken Carl ... thanks.

Dean

On Nov 4, 2011, at 7:40 PM, dershem wrote:

> On 11/4/2011 3:28 PM, Dean M. Estabrook wrote:
>> As I'm sure you have all encountered,  I'm redoing parts for a rather
>> long Wind Ensemble transcription,  which, ergo,  has parts lasting up
>> to 6 or 7 pages (presently printed on both sides back to back).  A
>> group managed to read it reasonably well a few nights ago, but most
>> of the page turns occur with no breaks at all between measures.  What
>> is the best solution for this problem (if, in fact, there is one)?
>>
>> Thanks,
>>
>>
>> Dean
>
> When doing long pieces, page turns are one of the controlling ideas in
> layout.  Trying to understand the phrasing and thematic breaks is
> something I try to pay attention to for that - if I can put, for
> instance, a repeated section on one page, it really helps.
>
> Other than that, I try to play each part before doing a final print -
> that really highlights where the difficulties will lie.
>
> Luck!
>
> Carl
>
> --  
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The perfect drive......a diminishing sphere of white impaling the azure
heavens in a graceful elliptic........height and distance vying for
supremacy......compatriot's jowls lax, eyes huge, their raucous paeans
thinly veiling jealousy......one stroke justifying a capricious  
investment
in the titanium industry.

Dean M. Estabrook

http://sites.google.com/site/deanestabrook/

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