At 12:26 PM -0700 11/5/11, Dean M. Estabrook wrote:
>Good thoughts John .... as usual. The accordion fold idea is good ... 
>when it gets to ten or twelve actual pages of music, even that is 
>pretty cumbersome  I think.  It appears to me that buying into not 
>having to fill up every page and shifting systems to the next page as 
>warranted is going to work the best ... in my case,  Cl., and Fl. 
>really have the most notes to play .... so that's going to be  an
>interesting process ....

Yes, definitely!  But don't forget that both 
Finale and Sibelius like to leave lots of white 
space on every staff, while quite a lot of 19th 
century orchestral engravings--Breitkopf u. 
Härtel for example--put 12 measures per line and 
think nothing of it.  I always try to judge by 
eye rather than accepting the defaults 
automatically.  This is especially important for 
pianists to remember, since piano scores are 
almost always spread out much more than 
orchestral parts.

I also judge each project on its own, and change 
my formatting of parts as seems to work best in 
each case, even when it ends up differently for 
different parts.  In my case, at least, I'm not 
preparing for publication, to some publisher's 
criteria, but to make the music readable by my 
own players.

John


-- 
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
School of Performing Arts & Cinema
College of Liberal Arts & Human Sciences
290 College Ave., Blacksburg, Virginia 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[email protected])
http://www.music.vt.edu/faculty/howell/howell.html

"Machen Sie es, wie Sie wollen, machen Sie es nur schön."
(Do it as you like, just make it beautiful!)  --Johannes Brahms

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