In line with what John is saying, sometimes reducing the system size by a 
couple of percent will get you out of trouble. 

Steve P. 

On 5 Nov 2011, at 20:03, John Howell <[email protected]> wrote:

> At 12:26 PM -0700 11/5/11, Dean M. Estabrook wrote:
>> Good thoughts John .... as usual. The accordion fold idea is good ... 
>> when it gets to ten or twelve actual pages of music, even that is 
>> pretty cumbersome  I think.  It appears to me that buying into not 
>> having to fill up every page and shifting systems to the next page as 
>> warranted is going to work the best ... in my case,  Cl., and Fl. 
>> really have the most notes to play .... so that's going to be  an
>> interesting process ....
> 
> Yes, definitely!  But don't forget that both 
> Finale and Sibelius like to leave lots of white 
> space on every staff, while quite a lot of 19th 
> century orchestral engravings--Breitkopf u. 
> Härtel for example--put 12 measures per line and 
> think nothing of it.  I always try to judge by 
> eye rather than accepting the defaults 
> automatically.  This is especially important for 
> pianists to remember, since piano scores are 
> almost always spread out much more than 
> orchestral parts.
> 
> I also judge each project on its own, and change 
> my formatting of parts as seems to work best in 
> each case, even when it ends up differently for 
> different parts.  In my case, at least, I'm not 
> preparing for publication, to some publisher's 
> criteria, but to make the music readable by my 
> own players.
> 
> John
> 
> 
> -- 
> John R. Howell, Assoc. Prof. of Music
> Virginia Tech Department of Music
> School of Performing Arts & Cinema
> College of Liberal Arts & Human Sciences
> 290 College Ave., Blacksburg, Virginia 24061-0240
> Vox (540) 231-8411  Fax (540) 231-5034
> (mailto:[email protected])
> http://www.music.vt.edu/faculty/howell/howell.html
> 
> "Machen Sie es, wie Sie wollen, machen Sie es nur schön."
> (Do it as you like, just make it beautiful!)  --Johannes Brahms
> 
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