jef,

as you probably know voices predate layers, and they have the feel of a
legacy feature. (some newer features seem to be ignorant of voices.) i
nevertheless find them to be useful in certain circumstances. a few that
come to mind are:

1. splitting into 2 voices for just a beat or two. using voices instead of
layers allows me not to have to freeze stems, slurs, ties, artic, etc. in
other parts of the measure.

2. showing 2 parts on a cue. in this case, layers are off-limits if you
care about playback, so i use v1/v2 to show the 2 parts both in layer 4.
(usually i only encounter this issue in a single transitional bar.)

3. sometimes in contrapuntal keyboard music layers aren't enough. or it is
easier to put the extra notes in voices rather than using a third or fourth
layer.

4. voices can be handy if there are ties over the barline from double to
single line or vice versa.

oh i don't understand how you use this keyboard with no caps!


On Mon, Feb 2, 2015 at 11:48 AM, SN jef chippewa <
[email protected]> wrote:

>
> i remember hating using voices (as opposed to separate layers) but
> thought i would try it out again and find i still hate it.  is there
> some amazing advantage of using voices that i am simply not aware of?
> i find it a total pain to use and obviously there is no way of seeing
> which music (stems up/dpwn) are in which voice when returning to
> voice-entered measures later.
>
> trying to edit or erase causes ridiculous behaviour (5-dotted 8th) or
> requires me to enter the measure from scratch again.  this makes me
> wonder about the stability of this thing when upgrading to a new
> version.
>
> is it just me?  or do voices really suck as badly as i feel right this
> moment?
>
> thanks.
>
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