hey robert, thanks. >1. splitting into 2 voices for just a beat or two. using voices >instead of layers allows me not to have to freeze stems, slurs, >ties, artic, etc. in other parts of the measure.
i find in most circumstances that it is easier to effortlessly do note entry and control the end result using layers, so i accept the bits of twiddling i need to do, that way i can always see what music is in what layer, etc. also, i have articulations set up for stem-side (don't lie the default behaviour/positioning of auto-flip) -- plus i almost never do orch parts combined in one staff ;-) (where i could see this being very useful) >2. showing 2 parts on a cue ah, true, that is one that could eventually be useful to me >3. sometimes in contrapuntal keyboard music layers aren't enough. yeah i don't mind messing with 4 layers in keyboard parts if it means avoiding this devil feature >4. voices can be handy if there are ties over the barline from >double to single line or vice versa. suppose, guess i am just not coming across things they could be so useful for that it is wirth the hassle. >oh i don't understand how you use this keyboard with no caps! it's all about speeeed, man. and sound... i need the constant barrage of my fingers glide-pounding on the keyboard and get nervous when there is too much dead air :P -- NEW RELEASE!!! neueweise -- fonts for new music and traditional notation http://newmusicnotation.com/fonts shirling & neueweise | http://newmusicnotation.com new music notation + translation + arts management [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
