jef,

another reason for you in particular to use voices to the max is that v1/v2
share the same frame. i seem to recall you run out of frames.

On Mon, Feb 2, 2015 at 1:06 PM, SN jef chippewa <
[email protected]> wrote:

>
> hey robert, thanks.
>
> >1. splitting into 2 voices for just a beat or two. using voices
> >instead of layers allows me not to have to freeze stems, slurs,
> >ties, artic, etc. in other parts of the measure.
>
> i find in most circumstances that it is easier to effortlessly do
> note entry and control the end result using layers, so i accept the
> bits of twiddling i need to do, that way i can always see what music
> is in what layer, etc.  also, i have articulations set up for
> stem-side (don't lie the default behaviour/positioning of auto-flip)
> -- plus i almost never do orch parts combined in one staff ;-) (where
> i could see this being very useful)
>
>
> >2. showing 2 parts on a cue
>
> ah, true, that is one that could eventually be useful to me
>
>
> >3. sometimes in contrapuntal keyboard music layers aren't enough.
>
> yeah i don't mind messing with 4 layers in keyboard parts if it means
> avoiding this devil feature
>
>
> >4. voices can be handy if there are ties over the barline from
> >double to single line or vice versa.
>
> suppose, guess i am just not coming across things they could be so
> useful for that it is wirth the hassle.
>
>
> >oh i don't understand how you use this keyboard with no caps!
>
> it's all about speeeed, man.  and sound... i need the constant
> barrage of my fingers glide-pounding on the keyboard and get nervous
> when there is too much dead air :P
>
> --
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