>I contend that the most engaging art tends to be created when the >artist is working as closely as possible to a subsistance level, that is, >with a minimum of "imported" raw material as possible so that the need to >"export" (and be controlled by the market) is minimalized. Wouldn't control by the market be minimized most often when the artist has an independent income? GF
- FLUXLIST: Art and Economies Robbin Neal Murphy
- Re: FLUXLIST: Art and Economies May
- Re: FLUXLIST: Art and Economies Terrence J Kosick
- Re: FLUXLIST: Art and Economies narvis & ...pez
- Re: FLUXLIST: Art and Economies / Netart... spiv // Stephan Schr�der
- Re: FLUXLIST: Art and Economies/Performance ... Patricia
- Re: FLUXLIST: Art and Economies Lord Hasenpfeffer
- Re: FLUXLIST: Art and Economies George Free
- Re: FLUXLIST: Art and Economies Patricia
- Re: FLUXLIST: Art and Economies narvis & ...pez
- Re: FLUXLIST: Art and Economies Patricia
- Re: FLUXLIST: Art and Econo... narvis & ...pez
- Re: FLUXLIST: Art and E... Terrence J Kosick
- Re: FLUXLIST: Art a... Don Boyd
- Re: FLUXLIST: Art and Economies Terrence J Kosick
- Re: FLUXLIST: Art and Economies Heiko Recktenwald
- Re: FLUXLIST: Art and Economies Lord Hasenpfeffer
- Re: FLUXLIST: Art and Economies Patricia

