Hi Jonathan,
It just looks like the splicer guillotine was not aligned with with the images, so the cuts are all staggered. 
David 

On 10 Nov 2024, at 16:25, Dominic Angerame <[email protected]> wrote:


They seem to be cement splices to the original editing not using AB rolls to hide the spices

On Sun, Nov 10, 2024 at 7:53 AM Jonathan Walley <[email protected]> wrote:
Hello Frameworkers,

Technical question coming in: can someone shed light on the appearance of splices in certain experimental films? For example, these sequential frames from Meshes of the Afternoon:

<Screenshot 2024-11-10 at 9.46.23 AM.png>
     
<Screenshot 2024-11-10 at 9.46.33 AM.png>

I understand (or at least assume) that the dark line running along the bottom of the first frame is the edge of editing tape, but I don’t think I understand why a portion of that frame appears at the top of the second frame. That is, why, in addition to seeing the splice line, are we also seeing part of the previous frame? This occurs throughout the film.

[BTW, these frame grabs are from the old Mystic Fire DVD; the more recent restoration, which includes additional shots, looks a lot better, but the same frame line phenomenon is still there.]

Thanks all - warm wishes in these cold times,
Jonathan

Dr. Jonathan Walley
Associate Professor and Chair
Department of Cinema
Denison University
https://denison.edu/people/jonathan-walley



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