this makes imax look rinky dink... ''The production was shot with an innovative camera that places a 360° image on each single frame of 10-perf 70mm film. It was then projected onto a circular screen using a special projector mounted in the ceiling above the audience, engulfing viewers in a continuous, seamless large-format image.'' Mi Pais Vasco -Vasque Country National Pavillion Film- 1992 Expo,Sevilla
http://brcweb.com/Projects/mi-pais-vasco-basque-national-pavilion/#.U9p8puNdWzk 2014-07-29 9:19 GMT-04:00 Scott Dorsey <[email protected]>: > I have never shot Imax but I have shot Todd-AO 70mm before. > > The thing about improvised 70mm stuff is that there are basically two 70mm > standards. One has the perfs out at the edge of the film and is used for > aerial camera work and the like, while the other has the perfs closer in > so that there is room for sound tracks outside the perfs. > > It's traditional to shoot 65mm in camera, and then contact print the 65mm > camera original to a 70mm print since the frame layout and perf positions > are the same; the 70mm film just has a little extra on the outside for > tracks. > > What this means is that you can't use existing aerial cameras or a > Hasselblad > with a 70mm back to shoot stop motion animation unless the camera or back > has > been modified to handle the narrower motion picture perfs. > > If you want to do hand drawn animation, though, it should not be too hard > to get 65mm clear leader, draw on it, and have the lab print it to 70mm. > FotoKem will still do 70mm printing and they might have some clear leader > for you. Technicolor in Glendale might still. > > It would be great fun to try hand-drawing on the huge Imax frame. > --scott > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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