Hello again, Some weeks ago Adrian Martin shared a link on Facebook with some audiovisual essays related to sound. They are not specifically Avant-Garde Film though: http://www.thecine-files.com/turning-up-the-volume/
*Hacked Circuit* by Deborah Stratman is a good work about sound effects: http://www.pythagorasfilm.com/hacked-circuit.html Maybe Arthur Lipsett works are could be considered "deep sound design" films. They are collage sound works, as those created by Abigail Child years later. ¿ Robert, h ave you ever heard S:STREAM:S:S:SECTION:S:S:ECTION:S:S:ECTIONED (1971) by Paul Sharits? He wrote about his film as a "word sound orgy". I thought the same as you about *Invocation of My Demon Brother*. There are dozens of avant-garde films where the soundtrack is just music. Some other examples: *Crossroads* by Bruce Conner and *Corridor* by Standish Lawder, both of them with compositions by Terry Riley. Melissa Ragona is working on a book named: *From Radio-Ear to Granular Voice: The Sound of Experimental Film* *. *Maybe that study will solve some of this issues. Albert Alcoz -- http://visionaryfilm.net/ <http://www.visionaryfilm.net/> http://albertalcoz.com/ <http://www.albertalcoz.com/>
_______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
