Mike Leggett’s VISTASOUND (1981) – superb.
Peter
(Perth)

From: FrameWorks 
<frameworks-boun...@jonasmekasfilms.com<mailto:frameworks-boun...@jonasmekasfilms.com>>
 on behalf of lindsay mcintyre 
<email.li...@gmail.com<mailto:email.li...@gmail.com>>
Reply-To: Experimental Film Discussion List 
<frameworks@jonasmekasfilms.com<mailto:frameworks@jonasmekasfilms.com>>
Date: Tuesday, 17 May 2016 12:35 pm
To: Experimental Film Discussion List 
<frameworks@jonasmekasfilms.com<mailto:frameworks@jonasmekasfilms.com>>
Subject: Re: [Frameworks] Exemplary Sound Design in AG Film

How about Very Nice, Very Nice (1961) by Arthur Lipsett?

Lindsay McIntyre



On Mon, May 16, 2016 at 10:02 PM, Ruth Hayes 
<randomr...@comcast.net<mailto:randomr...@comcast.net>> wrote:
Real West by Kevin T. Allen. He uses contact mics, among other strategies. He 
has an excerpt on vimeo: https://vimeo.com/130916538

Ruth Hayes


http://www.randommotion.com

blogs.evergreen.edu/hayesr<http://blogs.evergreen.edu/hayesr>

On May 15, 2016, at 12:36 PM, lagonaboba wrote:

For a class I’m preparing, I’m interested in suggestions as to Experimental 
Films with exemplary, excellent sound design and sound editing.
By excellent I mean, complex, layered, inventive, of rich and nuanced 
timbre….excellent for it’s sonic qualities (as opposed to strictly intellectual 
qualities).
As I plan to rent prints, it would be helpful if the works were available from 
FMC, Canyon, MOMA or some USA domestic distributor.
I would include:

Baillie’s Castro Street  & Quick Billy,
Kubelka’s Unsere Afrikareise,
Hindle’s Watersmith
Jack Chambers’ Hart of London

Thanks.


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