What I know of Nina Fonoroff's work has always struck me as a kind of
model for a complexity in the sound track in which formal
experimentation and meaningful polyphonies of language and discourse are
intertwined so as to become inseparable.
 
Peter
--
<The term 'experimental cinema' is like 'organic agriculture' or
'participatory democracy': we only need the adjective because there's
something wrong with the noun.> Nicolas Rey
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