DWG

*THE STRIKE* (1925), EISENSTEIN

All the best.



2017-11-21 15:36 GMT+01:00 Cecilia Dougherty <[email protected]>:

> Stanley Kubrick’s The Killing - many examples.
>
> On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie <
> [email protected]> wrote:
>
>> thank you warren…
>>
>> on both counts…
>> of
>>
>> A) steering things away from the DWG
>> ..&..
>> B) pointing out how uselessly broad the initial question was.
>>
>> please narrow it down kelsey… what are you really after?
>>
>> adc
>>
>>
>>
>> > On Nov 20, 2017, at 8:53 PM, Warren Cockerham <
>> [email protected]> wrote:
>> >
>> > The problem with Kelsey’s inquiry is it’s much too broad. There are
>> literally millions of narrative examples in film and television. Every
>> popular tv show is parallel edited.  Instead of listing millions of
>> examples, is there something more nuanced that you’re after here, Kelsey?
>> >
>> >> On Nov 20, 2017, at 8:45 PM, "[email protected]" <
>> [email protected]> wrote:
>> >>
>> >> yes. and the Baptism scene in The Godfather.
>> >>
>> >> owen
>> >>
>> >>
>> >>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <
>> [email protected]> wrote:
>> >>>
>> >>> look no further than DW Griffith who developed this fully.
>> >>>
>> >>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <[email protected]>
>> wrote:
>> >>> I'm looking for instances of parallel editing in narrative cinema, if
>> you please!
>> >>>
>> >>>
>> >>> Thanks,
>> >>>
>> >>> Kelsey
>> >>>
>> >>>
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> --
> “As from when does somewhere become truly yours?”  -- Georges Perec
>
> Cecilia Dougherty
> http://www.ceciliadougherty.com
> http://inbetweentheories.com
>
>
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