Brian de Palma's split screen sequences, not parallel editing in the traditional sense but interesting variations on (inversions of?) it, as the edit which illuminates the concurrence of events or perspectives happens spatially rather than temporally. Two of my favs:
Phantom of the Paradise <https://www.youtube.com/watch?v=ImSqbEKfCXc> Sisters <https://www.youtube.com/watch?v=28P_dZTdTpQ> On Tue, Nov 21, 2017 at 9:28 AM, Benjamin Léon <[email protected]> wrote: > DWG > > *THE STRIKE* (1925), EISENSTEIN > > All the best. > > > > 2017-11-21 15:36 GMT+01:00 Cecilia Dougherty <[email protected]> > : > >> Stanley Kubrick’s The Killing - many examples. >> >> On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie < >> [email protected]> wrote: >> >>> thank you warren… >>> >>> on both counts… >>> of >>> >>> A) steering things away from the DWG >>> ..&.. >>> B) pointing out how uselessly broad the initial question was. >>> >>> please narrow it down kelsey… what are you really after? >>> >>> adc >>> >>> >>> >>> > On Nov 20, 2017, at 8:53 PM, Warren Cockerham < >>> [email protected]> wrote: >>> > >>> > The problem with Kelsey’s inquiry is it’s much too broad. There are >>> literally millions of narrative examples in film and television. Every >>> popular tv show is parallel edited. Instead of listing millions of >>> examples, is there something more nuanced that you’re after here, Kelsey? >>> > >>> >> On Nov 20, 2017, at 8:45 PM, "[email protected]" < >>> [email protected]> wrote: >>> >> >>> >> yes. and the Baptism scene in The Godfather. >>> >> >>> >> owen >>> >> >>> >> >>> >>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame < >>> [email protected]> wrote: >>> >>> >>> >>> look no further than DW Griffith who developed this fully. >>> >>> >>> >>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez < >>> [email protected]> wrote: >>> >>> I'm looking for instances of parallel editing in narrative cinema, >>> if you please! >>> >>> >>> >>> >>> >>> Thanks, >>> >>> >>> >>> Kelsey >>> >>> >>> >>> >>> >>> _______________________________________________ >>> >>> FrameWorks mailing list >>> >>> [email protected] >>> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> >>> >>> _______________________________________________ >>> >>> FrameWorks mailing list >>> >>> [email protected] >>> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >>> >> _______________________________________________ >>> >> FrameWorks mailing list >>> >> [email protected] >>> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> > _______________________________________________ >>> > FrameWorks mailing list >>> > [email protected] >>> > https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> -- >> “As from when does somewhere become truly yours?” -- Georges Perec >> >> Cecilia Dougherty >> http://www.ceciliadougherty.com >> http://inbetweentheories.com >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Benjamin Léon > [email protected] > (Fr) + 33 (0)6 28 07 18 00 <+33%206%2028%2007%2018%2000> > (Be) + 32 (0)479 17 64 16 <+32%20479%2017%2064%2016> > > http://ben-newhorizons.tumblr.com/ > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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