If this is a polite way to say shut up then please ignore the rest.
What Wittgenstein wants to say by "whereof one cannot speak, thereof
one must remain silent" is apparently that things like anxiety,
pain, nothingness, religion, the meaning of life, subjective
experience or feelings lie outside the logical world and cannot be
meaningfully described in words. That is one way to see it. I see it
differently. The problem is if we remain silent we will never
understand it. I prefer Karl Popper's optimistic view to the
depressive pessimism of Wittgenstein. Popper argued that
substantial, real-world problems exist in philosophy, not just
linguistic puzzles as Wittgenstein claims.
For me the things we cannot describe meaningful (yet) are the
interesting ones. We just need to find the right languages,
theories, perspectives or metaphors. One useful metaphor for pain is
as you said "an emergency organization of behavior in which the
agent deploys physical and social defenses of various sorts". If we
describe pain as a mechanism to protect a person it is personal by
definition. And yet we all can understand what it is like to feel
pain in general. If we watch the movie "Marley & Me" for instance we
can understand what it is like to lose a loved dog because most of
us have experienced such a loss of a cat or dog or hamster or horse
ourselves ( by the way we have a new horse now named Mack which
looks like this https://www.youtube.com/shorts/VDyNyTsMccg ).
This is in my opinion the solution to the hard problem: the film
maker turns a 1st-person view in a 3rd-person view, the cinema
conveys the 3rd-person view to the persons in the audience, and they
are able to understand roughly what-it-is-like-to-be the lead actor
because they see and hear what it goes through and they know what it
feels like to experience pain, loss, and suffering. According to
Wittgenstein cinemas should not be allowed to exist ("one must
remain silent"). But people like them because they want to know
what-it-is-like-to-be someone else. Cinemas help to solve the hard
problem.
-J.
On 2026-10-04 03:35, Nicholas Thompson wrote:
You can say that. But you end by reasserting the privacy of pain.
And
…
Wovon man nicht sprechen kann, darüber muss man schweigen
You just cannot have it both ways.
N
Sent from my Dumb Phone
On Oct 3, 2026, at 2:26 PM, [email protected] wrote:
Claude was not happy about the theorem proofs that Gemini
created.
And Jon also mentioned that they are not waterproof. So I asked
Claude
and Gemini if they could write a new proof. They could. I asked
them
if we could use gauge theory to explain subjective experience -
gauge
invariance to describe objectivity, and symmetry breaking for
subjectivity. Both Claude and Gemini said yes, and Claude was able
to
formulate a proof that both could agree on (combining two AIs
which
have different personalities often gives better results than just
using one). Gemini is curious and creative, Claude is accurate and
precise. The result was a proof for a theorem of a new "field
theory
of understanding". I understand only half of the mathematics, but
the
physicist who use gauge theory for quantum field theories also
understand only half of it.
I have uploaded the new proofs here. The theorems are named the
same,
only the proofs are different. If they are more convincing than
the
old ones, then the idea is to replace the proofs in the appendix
with
this version. In my opinion the solution to the hard problem looks
similar to this - in combination with the other things written in
the
rest of the book.
https://jochenfromm.github.io/PhilosophyBook/QualiaTheorems.pdf
Paradoxically the qualia part that is most mysterious for some
researchers is not a problem for others at all. Nick for example
wrote
he does not believe in qualia and sees emotions as regulations. In
a
post he argued "To me, pain is an emergency organization of my
behavior in which I deploy physical and social defenses of various
sorts.... To me, the question, “What is it like to be X?”, has
been fully answered when you have said where X-like people can be
found and what they will be doing there... for me, feeling is a
kind
of doing, an exploring of the world". I would agree to most of it
but
for me what an animal is doing alone gives us only a hint what it
feels. If a horse for example is injured and feels pain, it does
not
scream or cry, and you see no tears. Only if you know the animal
well
you realize that the behavior is slightly different, for example
by
the things it is not doing. I am certain animals feel pain just as
intense as we do, but it is hard to recognize from th
eir behavior alone. If it would be better visible, would we still
eat
pigs and cows in large amounts (this reminds me of "Why We Love
Dogs,
Eat Pigs, and Wear Cows" from Melanie Joy)?
-J.
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