D. I didn't say that the Shamans believe that they are better because of love, although love is the doorway to the connection, I said that the people who go to them with the same expectation as allopathic medicine ascribe a benefit to a lack of payment that is healing. They get something for nothing because the healer is healing out of love and not for money. It's a bastardization of the two systems and constitutes ignorance that makes balance impossible. Like the guys who charge for the big sweatlodges as if it were western science and the people who try to get cured for nothing. Who'se going to pay the requirement for the balance? Shamanic medicine is often holistically more expensive than Allopathic payments.
REH From: [email protected] [mailto:[email protected]] On Behalf Of D & N Sent: Friday, August 10, 2012 12:27 PM To: RE-DESIGNING WORK, INCOME DISTRIBUTION, EDUCATION Subject: Re: [Futurework] The future of great music Not just love it. Their minds are directed toward healing the cause not analyzing the symptoms for continued treatment. And now, from research, we know that the mind has a far greater influence on the outcome of health than most external phenomena. So, caring, empathizing with someone may be just as viable a treatment as anything that has a concrete, physical mode because it changes the mind of the patient to one of a more positive outlook . D. On 09/08/2012 4:34 PM, Ray Harrell wrote: Yes I know people who go to Shamans rather than the hospital. They swear that amateurs are better because they love it. REH From: [email protected] [mailto:[email protected]] On Behalf Of Keith Hudson Sent: Thursday, August 09, 2012 10:30 AM To: RE-DESIGNING WORK, INCOME DISTRIBUTION, , EDUCATION Subject: [Futurework] The future of great music In these days of the decline of professional orchestras and, more than likely, a long term economic depression in front of us, it's as well to remind ourselves that classical (that is, fully developed) music can still survive in good heart. A long term friend (and customer) of mine, the president of San Francisco Lyric Chorus, spent two years organizing a concert in which, Saturday last, one of the greatest choral works of all time was performed -- Berlioz's Requiem. It involved over 100 amateur orchestral players in San Francisco and a larger choir selected from over 30 others in the Bay area and further afield, including 40 singers from New York. The programme filled San Francisco's Davies Symphony Hall and the performance was described by the San Francisco Chronicle as the "Mega-Concert of the Year. Or Years." For those interested, a 1.5-minute snitch of the volunteer orchestra rehearsing Strauss' Sunrise from Also Sprach Zarathustra (performed in the first half of the concert) may be seen and heard here: <http://youtu.be/fS0RsMMvMqY> http://youtu.be/fS0RsMMvMqY Keith Keith Hudson, Saltford, England http://allisstatus.wordpress.com <http://allisstatus.wordpress.com/> _______________________________________________ Futurework mailing list [email protected] https://lists.uwaterloo.ca/mailman/listinfo/futurework
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