I'm not very familiar with it but there has been some work done along these lines towards creating maps for the blind at UCSB, by Reg Golledge, among others. Check out:

http://soundscapes.geog.ucsb.edu/

and

http://soundscapes.geog.ucsb.edu/ruscc/ruscc.htm

Greg


David Fawcett wrote:
Perhaps you could save each track as a discrete file on CD or disk. Then, when a person using this audio tour gets within the specified buffered distance from the hoodoo, the appropriate track fires up....

On 6/6/06, *Rich Gibson* <[EMAIL PROTECTED] <mailto:[EMAIL PROTECTED]>> wrote:

    I agree that georeferencing audio files is a Good Thing.  I did some
    work on georeferencing the audio files from my Olympus voice recorder.
    They have this 'DSS' file format.  It has a header that is readable
    so I wrote the Audio::DSS perl module to read the meta data.

    Of interest is the starting time, ending time (last edited time), and
    track length.  I then synced that up with track logs to create a
    continuous georeference.

    Having a single point for an audio recording is probably a good
    simplification, but it sort of bugs me.  I often do sound recording
    while I'm moving.  I would like my recordings to be represented as
    tracks, rather than single points.  Back 'in the day' I had a number
    of clever names for this.  I just checked and all the domains I
    considered are now being used to sell google ads or cell phone ring
    tones :-)

    The simplest use case is for audio travel annotations: local history,
    geology, etc.  A person can record a commentary while traveling ( or
    create one after the fact to match a specific area ), add the right
    meta data, including locations for the track, rather than a single
    point, and rely on sufficiently magic technology to adjust the
    playback to match the actual speed of the listener.

    So if something was timed  to be heard while travelling 60 mph, it
    could be adjusted with pauses, or pitch compression, to match your
    actual speed.  The content creator can then also embed 'key frames'
    into the audio.  For example, 'at 55 seconds in, your should be at
    this location' which allows the commentary to have things like 'look
    at the road cut into late cretaceous shale on your left, then look
    right at the alluvial fan into the dried lake.'

    (okay...the lines are not truly continuous, since they rely on a
    series of individual positions, but continuous enough.  As the quote
    on electronics goes 'we don't actually know if DC current exists,
    since we have not been able to measure any DC source for long
    enough...maybe it just cycles very slowly :-)



    On 6/3/06, Russ Nelson <[EMAIL PROTECTED]
    <mailto:[EMAIL PROTECTED]>> wrote:
     > http://russnelson.com/georeferencing-mp3s.html
    <http://russnelson.com/georeferencing-mp3s.html>
     >
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    --
    Rich Gibson
    Chief Scientist, Locative Technologies
    http://mappinghacks.com
    http://geocoder.us
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