Forgot to say, if you use the Bb-side instead of the usual F-side, it  
is even easier & speaks well, as the used pitches are 2nd, 3rd (+ 1) &  
3rd natural pitches, really easy.

If you would say, playing Rossinis Barbier ouverture on first chair at  
an early morning rehearsal would be not so nice due to the morning  
chops, I would agree.
#######################################################################################################
Am 17.06.2010 um 15:11 schrieb Hans Pizka:

> Hello William, I have to come back to your Flying Dutchman example.
> This little solo  is in the easiest range, even at early morning:
>
> notated as g (below space) c - c - g - c - c - g (held), horn in D,
> means a third lower. Tell me, really, what kind of flexibility is
> needed there ? It is just the range of one octave, from our e below
> space to the e on the lowest line. But if you exaggerate the forte &
> fortissimo at the very beginning, no wonder you get difficulties in
> the morning rehearsal, when arriving at this spot. Reduce the forte &
> fortissimo somewhat and cease thinking about a handicap due to morning
> chops.
>
> That´s it. Fortissimo does not require blowing hell out of your horn.
> It just means quite loud, - but within the ensemble.
>
> ##########################################################################################
> Am 14.06.2010 um 16:11 schrieb William.S.Gross:
>
>> A problem I've been fighting for a while is lack of flexibilty in the
>> morning. For example, When we did the overture to Dutchman , there is
>> a 4th solo marked p that I never get out at less than a F during
>> morning rehearsals. I had no problem at the reformance.
>>
>> I've got no problems in the late eveninng or night.
>>
>> Any suggestions?
>>
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