On 6 Dez., 11:29, Olivier Croquette <[email protected]> wrote:
> Thanks for the numerous answers. I didn't know Bruno's tutorial yet,
> so I tried to follow it. I came a bit further, but it actually didn't
> solve this unusual problem. To make it clear what it is, I have put
> some sample maps online.

Thanks for sharing. I had a look at your data. One thing straight
away: you have Z-values. You don't want them, since the scale of all
the images is the same, and Z values refer to the distance from the
mosaic plane. Just set Z to zero. The only things you need to optimize
are roll, X and Y. With this type of content, you will have to set the
control points manually, but if the drawings are precise, you won't
need to many. If the drawings were perfect, three would be perfectly
enough.

Stitching this, with the input images' projection and the panorama
projection set to rectilinear, should give you a result where the
input images aren't distorted at all, just nudged into place. You will
have to use masking, though, to remove parts of the black background
and the image boundary lines, because the stitcher may put them into
the result rather than the geographic content in other images that
happens to be in the same 'place'.

Finally, I'd like to ask you how sure you are that the errors of
'several metres' you've observed after georeferncing the data with
JOSM might not be in the source material? I suppose these are
handdrawn maps scanned in; a few metres are easily explainable by
artifacts introduced somewhere along the line - think of it:
surveying, projecting, drawing, ageing of the maps, warping of the
paper due to humidity fluctuations, scanning shear... - and finally,
human error. All introduce errors, which may well end up amounting to
a few metres. Keep in mind that the stitching process is another
source of errors. To use the data as source for OSM, I think you'd be
well advised not to stitch the maps with hugin, but to georeference
the individual sheets as best as you can, be it in JOSM or QGIS.

with regards
Kay

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