In a message dated 7/30/05 3:38:41 AM Eastern Daylight Time, [EMAIL PROTECTED] 
writes:


> Just wondering - re inserting the cut-end of a thread into a needle, is 
> that affected at all by Z vs S twist, or would that have already been taken 
> into 
> account by the manufacturers?
> 

Dear Jen,

Brenda may have something to say about this.

My take is that it is the way thread is twisted in the manufacturing process 
that matters.  You want to thread it in a needle in the same direction as it 
comes off the manufacturer's spinning equipment.  The tiny fiber ends will lay 
down better in that direction and not be bent backwards (against the grain).  
The first way to test is by pulling it through your thumb and index finger to 
see which way feels smoother.  

With fuzzier "designer" threads you might use in modern needlelaces, it may 
not matter at all because you probably have to use shorter lengths to maintain 
the "fluff".  However, if it starts to kink up on you and the simple twist of 
the needle does not help, you are probably buttonholing against the grain.

There are threads that are spun for sewing, weaving, knitting, etc. that were 
never intended to be used for movement through a woven textile or threading 
in a needle with an eye and coaxed to create buttonhole stitches in the air. 
There are so many thread combinations out there, that you need to *exercise 
some 
common sense in the selections process.*  You cannot expect all thread 
experiments to work, or for us to give you ways to make them work for 
lacemaking.

We have creative people and students using very unconventional materials, 
especially since the 1970's, encouraged by educational schemes that stressed 
"originality" over tried-and-true methods and materials.  Students were not 
even 
taught the principles of lacemaking or embroidery before they dove into 
"inventing".  Gives a conservator nightmares.  Many materials cannot be wet 
cleaned, 
and when combined with various unrelated materials, you are dooming whatever 
you are making to a shortened life-span.  Unrelated materials expand and 
contract at different rates when exposed to changing temperature and humidity 
conditions.  Some need to be cleaned by different methods but have been coaxed 
into 
tightly-entwined stitches.  Velvet or leather or mohair threads mixed with 
cotton or linen or silk would be examples.  So would the addition of 
embellishments - feathers, beads, stones and twigs being examples.  If 
embellishments are 
too heavy, they will pull on finer lace threads (gravity being what it is).  
Results are sometimes constructions that used some lace techniques - but they 
should never be called lace.  They do not possess the visual design elements we 
expect lace to display.

I was taught to *think about future care* when designing and deciding on 
which materials I would use.  I recommend this to all adventurers, especially 
those who think they will invent something new.  Example:  What will happen 
when 
lace earrings become stained from makeup, blown sand, sea spray, soiled 
fingers, etc?  Can they be wet cleaned?

I am absolutely against substances like hair spray being used to stiffen 
something that will not be washed out with the same frequency as human hair.  
There are alternate solutions, as we learned last week from Greet.  She 
described 
a Belgian stiffening product to us (by its commercial name), that does not 
seem to have an equal in the U.S. (and probably your Australia, Jen).  They 
still 
make more lace in Europe than in North America and Australia, dear 
lacemakers.  So, perhaps we should at least take a look at what they are using 
(excluding the scary lacquering process we saw in Czech Republic last year, 
maybe).  

I would like to learn from this list.  I would like to hear from textile 
conservators in Europe about how they are maintaining modern 20th C. laces and 
embroideries.  What are the products being used, books to read (in English), 
etc.?  If this list is for all of us, is it too much to ask that you please 
provide some information - to me?  You can be sure it will be shared.

Jeri Ames in Maine USA
Lace & Embroidery Resource Center

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