Singers told me it would have been good taste for renaissance singers to
be able to sing *all* voices. I really don't know if this could be
possible - I'm just forwarding what a singer told me.

Thomas

Am Sam, 2004-01-17 um 23.34 schrieb lutesmith:

> Hmmm,
> The Turpyn book and a few modern and baroque songs only?
> 
> If so, the solo repertoire seems very biased towards sopranos, altos and 
> female voices. Surely there must have been some technique for setting the 
> hundreds of motets, chansons and madrigals prior to ~1590 for tenor or bass 
> to accompany the lute. And most secular songs were from the male point of 
> view ;^)
> 
> I notice that Adriaenssen includes both the cantus and bass to accompany(?) 
> his solos and it is thought from the evidence in the Bottegari that he 
> (Bottegari) was a bass. In the Attaignant, Valderabano and Phalese books, 
> however, only the cantus is given. In the latter, some lute parts are 
> transposed up a 4th from the originals vocal prints and lute solos. Perhaps 
> this is a hint to use a bass lute?
> 
> Somehow it seems to me the question for this rep would be: Would a male 
> solo singer sing the tenor/bass line of the vocal score or the cantus down 
> an octave? Or perhaps they transposed the whole song down by using a larger 
> lute?
> 
> Sean Smith
> 
> 
> 
> 
> 
> At 12:21 PM 1/17/04, you wrote:
> >At 15:00 16-01-2004 -0500, James di Properzio wrote:
> > >Does anyone recommend--or have advice from experience with--lute songs
> > >that work well with bass or baritone voice?  It doesn't seem that pieces
> > >written for high voice sound right when you pitch them down.
> > >
> > >If there is some obvious repertoire that I'm missing, let me know that, too!
> > >
> > >-James di Properzio
> >
> >"The Turpin Book of Lute Songs" (facs. from Boethius Press - somebody made
> >a modern ed.,
> >I believe) has "Most men do love the Spanish wine" for bass voice and ren.
> >lute in G.
> >
> >Nice one!
> >
> >Arne.

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Thomas Schall
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