sorry for that late answer guys,
thank you for your help :-) I found some stuff, link, pages, files,
looking into all of it now.
i have some one milan fantasies (actually...full book of them...) that
i want to use too. just need to tune my old and sexy guitar...
thank you all :-)
On Jul 16, 2008, at 12:31 AM, Christopher Stetson wrote:
Hi, all,
Eugene's points are well taken! I stand amended.
Omer, I'll see if I can be more helpful this time and take a look at
the composers Eugene suggests in the guitar sites to get you some
direct
links.
Maybe Eugene can work on it, too?
Best to all, and keep playing,
Chris.
"Eugene C. Braig IV" <[EMAIL PROTECTED]> 7/15/2008 3:53 pm >>>
At 08:24 AM 7/13/2008, Christopher Stetson wrote:
Well, I would think the first question would be what your (or your
instructor's) definition of "fantasy" is. The term seems to have
fallen
out of favor early in the 17th c.
I see your point that many rhapsodic bits could be considered as
"fantasy"
in spite of title, and that the term was perhaps not so commonly used
later
as it was in the era when purely instrumental music first began moving
away
from dance forms, but I'm not so certain I would contend that the term
fell
out of favor in the early 17th c; "fantasy", "fantasia", "phantasie",
"phantasiestücke", etc. found occasional use throughout. Consider the
occasional lute works by Weiss or Kellner; the fortepiano works of
C.P.E.
Bach, Mozart, or Schumann; the guitar works by Sor, Coste, Legnani,
etc. They're there.
Best,
Eugene
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