Hi Ron,

   2010/1/6 Ron Andrico <[1][email protected]>

   Bruno:
   The conventional two-stave keyboard transcription is probably the most
   useful and appropriate format for academic purposes.


   So I think.

   If you want the transcription to be user-friendly, you might follow Tim
   Crawford's lead and limit the space between staves.


   Interesting. Gilbert does it similarly.

   I would take care if you are using an automatic function that
   transcribes from tablature to keyboard notation.  You will likely spend
   as much time correcting problems as you would transcribing from
   scratch.  Frequent problems include mis-named notes (e.g., g-flat when
   you want f-sharp) and ridiculous problems in representations of voice
   leading, which is a very important point.  You can choose whatever
   pitch standard you like.


   I've noticed that there will be some corrections in the standard
   notation to mach precisely the original. Nevertheless, I'll have to add
   my own thoughts on it instead of just transcribing it plain as Gilbert
   does.

   Regards.


   Best wishes,
   Ron Andrico
   [2]www.mignarda.com
   > Date: Wed, 6 Jan 2010 12:46:59 -0200
   > To: [3][email protected]
   > From: [4][email protected]
   > Subject: [LUTE] Transcription
   >
   > Could anybody give his/her opinion about this issue:
   >
   >
   >
   > At the moment I am analysing the Kapsperger 1611 lute book for my
   Doc.
   > dissertation. All the musical examples will be written with Django
   tab
   > writer adding (automatically) its transcription. My question is:
   should
   > the transcription be written on a single or double staff (treble and
   > bass clefs)? I think that a single staff is more economical...
   >
   >
   >
   > I thought for a moment to transcribe it in (e) in order to easy the
   > access to guitarists, but perhaps its just a fool idea. After all
   they
   > don't have the deep basses (10 course).
   >
   >
   >
   > Appreciate any comments.
   >
   > --
   >
   >
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