From interview with Paul O'Dette:

   Q: Much lute music would seem to be played more easily on smaller
   instruments than today's typical G lute, yet contemporary paintings
   don't show a preponderance of such small instruments. People living
   then certainly weren't bigger than us. Did they stretch more or perhaps
   weren't so attached to sustaining notes or am I missing something?
   A: This is a very interesting question which has many different
   aspects. I think early players developed more stretch than we do today,
   by doing exercises to keep the skin in between the fingers as elastic
   as possible, they also used various oils to keep the skin flexible,
   they developed stretching techniques which involved releasing the thumb
   from the back of the fingerboard, and also used the left hand thumb to
   play some bass notes. The string spacing of most Renaissance lutes is
   very tight at the nut, making the lateral stretches easier than on
   today's wider spacing. The problem this creates, however, is that it is
   more difficult to keep from brushing up against other strings with left
   hand fingers since the courses are closer together. This would suggest
   three things to me: 1) That they had smaller, thinner fingers which
   required less clearance, 2) that they came straight down with the l.h.
   fingers using only the tips of the fingers and 3) They were less fussy
   about little noises and buzzes than we are today. I suspect that they
   also did not sustain bass notes to nearly the degree we do today.

   -----------------------------------------------------

   Thw whole interview can be found here:

   [1]http://www9.plala.or.jp/edurbrow/PODinterview.html

   BTW I play now on lute with 67cm. Not easy but possible even with my
   smal hands. But I had to stretch my fingers like this:

   [2]http://pics.livejournal.com/_m_a_s_t_e_r_/pic/0009xtz8

   Here is my Dowland on 67cm:

   [3]http://www.youtube.com/watch?v=Y2srIsT8xuE

   As you can see it's not perfect but quite satisfactory. The main
   difficulties for me were from double courses. Especially in chords.
   There is no significant difference for me in playing scale passages
   between 60cm and 67cm. But in chords theese 7cm are very important. So
   I had to remove all that doubles and now play on single courses.

   2011/8/10 Edward Mast <[4]nedma...@aol.com>

     The more I read about the lute during the 16th century, the more it
     seems to me that the norm for string length then was closer to 65 cm
     than the 60 cm which seems more favored and common today.  Are we
     (myself included) - who choose the shorter mensur - wimps?  If
     classical guitarists of all shapes and sizes can manage a 64 cm
     mensur, should we lutenists not be able to do likewise?  Just
     wondering . . .
     -Ned
     To get on or off this list see list information at
     [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www9.plala.or.jp/edurbrow/PODinterview.html
   2. http://pics.livejournal.com/_m_a_s_t_e_r_/pic/0009xtz8
   3. http://www.youtube.com/watch?v=Y2srIsT8xuE
   4. mailto:nedma...@aol.com
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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